{"version":"1.0","provider_name":"Filmasia 2026 \u2013 Asijsk\u00fd filmov\u00fd festival","provider_url":"https:\/\/filmasia.cz\/2026","author_name":"Amelie","author_url":"https:\/\/filmasia.cz\/2026\/author\/amelie\/","title":"A Better Tomorrow - Filmasia 2026 \u2013 Asijsk\u00fd filmov\u00fd festival","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"kAqLFul1cv\"><a href=\"https:\/\/filmasia.cz\/2026\/en\/films\/a-better-tomorrow\/\">A Better Tomorrow<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/filmasia.cz\/2026\/en\/films\/a-better-tomorrow\/embed\/#?secret=kAqLFul1cv\" width=\"600\" height=\"338\" title=\"&#8220;A Better Tomorrow&#8221; &#8212; Filmasia 2026 \u2013 Asijsk\u00fd filmov\u00fd festival\" data-secret=\"kAqLFul1cv\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/filmasia.cz\/2026\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","description":"In 1986, John Woo and Tsui Hark burst onto the cinema scene with a risky plan: to present an extraordinarily dramatic gangster movie at the height of the popularity of Cantonese comedies. The film also co-starred Chow Yun-fat, who had found success on television but had yet to achieve the same success at the box office. Together, they accomplished something exceptional: they created a unique work that, on the one hand, reinvented the action genre while, on the other, still felt familiar to viewers. Woo drew on both his previous directorial experience and his vast encyclopaedic knowledge as a cinephile. He combined the value system of the wuxia chivalric epic with the aggressive shooting style of kung-fu cinema, built upon the basic story of the 1960s hit The Story of a Discharged Prisoner (1967), the distinctive tone of Jean-Pierre Melville, and drew inspiration from the star image of James Dean. To this, he added his own unique style, characterized by complicated camera movements and even more elaborately choreographed action sequences, with a cool factor going off the chart."}